Islam and the Art of the Cross
Evan Kuehn reviews Navid Kermani Art and religion face each other. Their gaze can offer unity beyond the oppositional pairs that define our
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art
Neo-Donatists in Eden
Ed Simon on what to think of immoral artists Edmund Spenser knew how to turn a phrase. His vision, exemplified by his epic The
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The Painted Book: Illumination Revived
Jakub Koguciuk reviews Jonathan J.G. Alexander’s The Painted Book in Renaissance Italy Study of manuscript illumination in the Renaissance appeared pronounced dead before
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Art in a State of Siege
Joseph Leo Koerner on Art and the Reformation We in the field of Northern Renaissance art have hardly finished celebrating one big anniversary,
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Is There Racism in Heaven?
Nick Cave’s Until at MASS MoCA Until by Nick Cave, MASS MoCA, North Adams, MA, on view through September 4, 2017. Nick Cave
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Beautiful and Meaningless
Bosch and Bruegel Beyond Iconography In the tenth canto of the Inferno, the poet Dante and his guide Virgil make their way through
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Bad Blood in Gilded Age America
Margaret Deli on Charles Molesworth’s The Capitalist and the Critic On Tuesday, February 28, Thomas P. Campbell resigned under pressure as director and
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“Every age is a Canterbury Pilgrimage”: Art and the Sacred in Early Nineteenth-Century Britain – by Emma Mason
Emma Mason on Kathryn Barush’s Art and the Sacred Journey in Britain In a short blog, “The Story of Brexit, in the style
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Subtle Censorship? – by Nausikaä El-Mecky
Nausikaä El-Mecky on the censorship of art and a scandal in Slovakia It’s not so easy to get rid of controversial art these days.
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Urban Afterlives – by Dana Robinson
Dana Robinson on Hendrik W. Dey’s Afterlife of the Roman City The fall of Rome was an urban affair. Alaric’s sack of the
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