Neo-Donatists in Eden
Ed Simon on what to think of immoral artists Edmund Spenser knew how to turn a phrase. His vision, exemplified by his epic The
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art
The Painted Book: Illumination Revived
Jakub Koguciuk reviews Jonathan J.G. Alexander’s The Painted Book in Renaissance Italy Study of manuscript illumination in the Renaissance appeared pronounced dead before
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Art in a State of Siege
Joseph Leo Koerner on Art and the Reformation We in the field of Northern Renaissance art have hardly finished celebrating one big anniversary,
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Is There Racism in Heaven?
Nick Cave’s Until at MASS MoCA Until by Nick Cave, MASS MoCA, North Adams, MA, on view through September 4, 2017. Nick Cave
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Beautiful and Meaningless
Bosch and Bruegel Beyond Iconography In the tenth canto of the Inferno, the poet Dante and his guide Virgil make their way through
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Bad Blood in Gilded Age America
Margaret Deli on Charles Molesworth’s The Capitalist and the Critic On Tuesday, February 28, Thomas P. Campbell resigned under pressure as director and
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“Every age is a Canterbury Pilgrimage”: Art and the Sacred in Early Nineteenth-Century Britain – by Emma Mason
Emma Mason on Kathryn Barush’s Art and the Sacred Journey in Britain In a short blog, “The Story of Brexit, in the style
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Subtle Censorship? – by Nausikaä El-Mecky
Nausikaä El-Mecky on the censorship of art and a scandal in Slovakia It’s not so easy to get rid of controversial art these days.
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Urban Afterlives – by Dana Robinson
Dana Robinson on Hendrik W. Dey’s Afterlife of the Roman City The fall of Rome was an urban affair. Alaric’s sack of the
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MRBlog | Respecting Religion: The Freedom of Expression and Freedom of Impression
Andrew B. Irvine on art and the experience of others This past April in Knoxville, Tennessee, Andrew Irvine was one of three speakers at a “Table
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